Nile Rodgers Reviews at Dreamland in Margate

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Review by Andy Gray

On a scorching day by the sea, the frontman and his band proved why, after 44 years since “Dance, Dance, Dance” became their first hit, they’re still a ticket.

The phrase “all killer, no filler” has never been more apt than when applied to a Nile Rodgers concert. His catalog not only contains Chic’s champagne disco classics (Le Freak, I Want Your Love, Everybody Dance, My Forbidden Lover), he has created a multitude of hits for other top artists.

Nile Rodgers performs at Dreamland Photo: Angela Whitton

In essence, if a track was recorded between 1977 and 2020 and features a choppy guitar riff and rhythm that somehow surprises you waving your arms in the air like you don’t care, Rodgers has it. probably written.

Therefore, last night’s set at Dreamland in Margate also included a mix of stomping that it helped birth: I’m Coming Up (for Diana Ross) Like a Virgin (Madonna), Notorious (Duran Duran) and most gloriously Modern Love and Let’s Dance, which Rodgers conceived with David Bowie and crowned his successful attempt at pop domination in the early 1980s.

The hits Rodgers wrote for Chic-a-like girl trio Sister Sledge were also present and correct on last night’s musical menu. These included home party favorite We Are Family and Thinking of You, which was preceded by a big-screen recording of Rodgers paying homage to fellow Chic founder and songwriting partner, the late Bernard Edwards.

“Blimey, I didn’t know he wrote so many great songs,” was the “word” among audience members too young to be around at first, or those who have spent the past 40 years living under a rock. (or listen to Roche). This might explain why the introduction of Get Lucky, a Rodgers co-writing and world-smash for Daft Punk in 2013, met with screams belying delicious recognition and surprise.

The man himself, who last night was a day before his 69th birthday and decked out in the familiar Nile costume, sunglasses, beret, waist-deep dreads, an ice-white smile and l scale of the ocean, proved a master of humble bragging when it came to paying homage to his own genius. In a clearly scripted moment, Rodgers introduces us to the band comprising of vocalists, a brass section, keyboardist and guitarists, when the drummer suddenly “remembers” that we weren’t officially introduced to their leader. He then rolls out a list of Rodgers’ spectacular musical accomplishments, notifying his involvement in mountainous record sales, the Grammy Awards and Hall of Fame inductions as a shameless Rodgers walks away, seemingly ensuring that the he call for success is registered with the first ranks. .

It’s a stunt you might find unseemly for an artist of remarkable charm and cuteness, but hell the artist is Nile Rodgers. His songs recorded the happiest moments of your life and they will continue to make people want to stand up and dance, dance – long after we’ve checked into the great nightclub in the sky. In short, Mr. Rodgers has earned all the complacency he sees fit to share.

Last night ended with a triumphant and perfectly fitting Good Times – yes, he wrote that one as well.

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